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Georges Bizet

Friday, September 22, 2017


parterre box

September 12

Carmen denominator

parterre boxAna María Martínez gets lost in the shuffle. When you attend a performance of Georges Bizet’s Carmen you can never be quite certain which one you’re in for. There can be enormous differences in staging styles having to do with mood and atmosphere and the era the director decides to land the action in. The singing actors themselves influence the audience’s experience based on how detailed, or not, they paint their characterizations. Hopefully a well-informed designer can be found lurking about somewhere as well. Then there’s the musical aspect with the abundance of choices in editions including whether or not you use the original opéra-comique text with dialogue between the musical numbers or the recitatives written after the composer’s death, by his colleague and friend Ernest Guiraud, for the Vienna premiere. Last night;s opening of the LA Opera season saw le tout Los Angeles out, polished up, and ready to have themselves a time with Bizet’s perennial fan snapper. Local favorite Ana Maria Martinez was presenting her gypsy vixen for the first time here after outings with Houston Grand Opera and Santa Fe. The production originally directed by Emilio Saggi and presented here in 2004 originated from Madrid’s Teatro Real and is currently in its fourth revival for our company. Some of its native eccentricities, like having a drag queen as the proprietor of Lillas Pastia’s inn, have been sloughed off for this go round by current director Ron Daniels. Mr. Daniels seems content to stage Carmen on its simplest terms. As an entertainment with occasional sprinkling of spectacle. This isn’t the thought provoking quest into the mind of a violence prone boy with mother issues. Nay, not even the psychological study of a woman who can only commit to one man at a time; over and over and over again. This is more like what you would have found in any opera house before Tyrone Guthrie got his hands on it back at the Met 1950’s and tried infusing everyone with motivation. Everything played straight out to the audience with the chorus magically wondering on for their entrances and a bus load of youngsters who get to stay up way past their bedtimes. Then there is the musical edition to be considered. The evening started out with mostly dialogue but then the recit.’s kept creeping in here and there. So after a whole half an act of dialogue in Act I we had Don José singing to his mother’s letter after Micaela had delivered it and departed. Sung too was the exchange between Carmen and Don José leading up to the Seguidilla which means we lose that crucial bit of character development where she tries to convince her captor they share a common Navarese heritage. Worst of all there was not even a mention of castanets (or dare I say broken crockery) in Act II and they were only played from the pit as part of the general orchestration not even mimed by our (anti-)heroine. Quel dommage! I have no love for the recit.’s I don’t care how good musicologists say they are. They’re not Bizet and the dialogue is a richer experience and certainly gets us from point B to point Z quicker. What wasn’t inconsistent in the slightest was the musical performance itself. Conductor James Conlon and the LA Opera Orchestra played like the true virtuosi they have become. After Carmen’s “tra-la-la’s” of defiance the little acompaniament and coda by concertmaster Roberto Cani was just one example in a long string of moments filled with delicious attention to detail and purposeful playing that was enjoyed all evening long. The LA Opera Chorus gave a performance that rivaled their sensitive work in Verdi’s Macbeth last year, rhythmcally acute, well balanced, and alert to dynamics. Of course the fact that the director left them virtually static most of the time gave them a golden opportunity to concentrate on what they do best. A rip-roaring bash at the smugglers chorus in Act III was especially rousing. But any performance of this work rises or falls on the talents of its principals and we had a strong, if not entirely distinguished, cast with a number of important debuts and members of the Domingo-Coburn-Stein Young Artist Program participating. My hat goes off to the quartet of gypsy ladies and smugglers that consisted of Liv Redpath as Frasquita, Kelley O’Connor as Mercedes, Brian Michael Moore as Remendado, and Theo Hoffman as Dancaire. Ms. Redpath made an especially beautiful impression in the ensembles as the evening progressed and her voice continued to warm. Mr. Moore and Mr. Hoffman were straight out of vaudeville from the moment of their entrance and, while keeping their schtick to a minimum, managed to bring both a welcome comic touch and excellent musicianship to the Act II quintet. Surely it was the highlight of the entire evening. All four members of the young artist’s and I hope to hear them again soon. Bass Alexander Vinogradov made his LA Opera debut as Escamillo and he was an able Toreador who brought the appropriate amount of vocal swagger to his music. Maybe one day some enterprising director will find a way to stage,”Votre toast” without placing the bullfighter in question on a table top. Mr. Vinogradov made the leap down and landed while still singing his second verse and managing to look like he was having a good time. Amanda Woodbury made a welcome return to LA Opera as a alumnus of the young artist program and she offered a very clean and secure Micaela. Ms. Woodbury has a nice bantamweight soprano with a good shine on the top. Maybe not as refulgent as you’d like in the mountain gorge but the final pages of her aria there had a lovely sincerity. Another important debutant was Riccardo Massi as Don José. An occasional Radames at the Met with a host of other international engagements. He’s tall, handsome on stage, and wields a burnished tenor that met all of Bizet’s challenges especially in the last scene. His flower song was confidently rendered, if with slightly squarish phrasing, and he sailed up to a brilliant (albeit forte) b-flat at the penultimate phrase. ight before the aria he actually went to slap Carmen in frustration and held himself back. A dash more of that kind of intensity all the way round and he could turn his Don José into something far more exciting. Which brings us to the passionate flower at the center of all this, Ana Maria Martinez. I’ve seen Ms. Martinez as an entrancing Butterfly, a magnificent Amelia in Verdi’s Simon Boccanegra, a hapless and lovelorn Nedda in Pagliacci, and even as charm itself when she jacked another mezzo role as Rosina in Barbiere. To all of these roles she brought an extraordinary vocal technique and a real vividness of character and situation. She brings these gifts to Bizet’s Carmen as well but it’s like a dress that doesn’t seem to fit right. (Like when Birgit Nilsson sang Aida.) The voice has a very sultry, burnished, quality in the middle that you’d think would be enough to qualify and of course the top (up to an A-natural I believe is required) is strong. Lower there are audibility problems and they’re compounded when she’s singing in ensemble that you wouldn’t have with a true mezzo. Her characterization was very matter of fact and I think some of this might be the hand of Mr. Daniels. She moves very well on stage but I wouldn’t call her a dancer either. There’s much of Ms. Martinez’ art I have enjoyed before but this wasn’t up to the level of her past accomplishments. I was proud of my Angelenos when Don José said to Carmen,”You’re a devil” (which was subtitled) and her no nonsense response of, “Oui” (which was not) got the biggest laugh of the evening. Photo: Ken Howard/Los Angeles Opera

Meeting in Music

September 18

Recent updates to previously posted music

09/18/17 Debussy #6 +1CD Etudes & Children's Corner by Julia Dahlkvist (2012) 09/18/17 Debussy #5 +1CD Préludes by Hiroko Sasaki on Pleyel 1873 (2010) 09/13/17 Mozart on period instruments New rips and links 09/12/17 Baroque Concertos New links 09/11/17 Prokofiev #2 +1CD Cinderella Suite & Music for the Children by Olli Mustonen (2004) 09/09/17 In the Name of Music +1CD Mendelssohn's Die erste Walpurgisnacht by Claus Peter Flor in Bamberg (1994) 09/08/17 Italian Baroque New links 09/06/17 Musique Française #1 +1CD Franck's Symphony & Symphonic Variations by Tanyel & Kaspszyk (1990) 08/26/17 Wintery Romantics +1CD Scriabin's Preludes & Sonata No. 4 by Andrei Gavrilov (1984) 08/13/17 Il Cinquecento Italiano +1CD Hyeronimo Ferrutio da Udine (Lute music) Thanks to Cunctator 08/12/17 Summer Nights #1 +1CD set Symphonic Poems from Persia by Alexander Rahbari in Nuremberg (1980) 08/09/17 Brahms -Symphonic Works by Skrowaczewski New rips and links 08/08/17 German Baroque Music New links 08/08/17 Monteverdi New links; thanks to Ockeghem2 08/02/17 Debussy #5 +1CD Images, Pour le Piano, Estampes by Jean-Claude Pennetier (1994) 07/20/17 Debussy #5 +1CD Préludes by Melvyn Tan (2003) 07/19/17 Strauss #1 +1CD Vier letzte & other Orchesterlieder by Michaela Kaune & Eiji Oue in Hannover (2004) 07/18/17 Weill +1CD Eisler's Lieder and Piano Sonata by Matthias Goerne & Thomas Larcher (2012) 07/15/17 Rare Grooves #2 +1LP Mozart's Concertos Nos. 20 & 23 by Brendel, Marriner & ASMIF /a transfer by Enrico B.) 07/15/17 Rare Grooves #2 +1LP Mozart's Wind Quintets by Pay, Brown & the ASMIF (1980) (a transfer by Enrico B.) 07/14/17 Wintery Romantics +1CD Dvorak's 6th Symphony by von Dohnanyi in Cleveland (1989) 07/05/17 Summer Nights #1 +1CD Armenian Piano Trios (incl. Babadjanian & Mansurian) by the Chilingirian Trio (2001) 07/05/17 Bartok #5 +1CD Concerto for Orchestra by Zubin Mehta in Tel Aviv (1976) 07/02/17 Summer Nights #2 +1CD Zemlinsky's Lyric Symphony by Michael Gielen in London (1981) 07/01/17 Debussy #5 +1DDL Préludes, by Catherine Kautsky (2007) 06/29/17 Schoenberg Piano Music +1DDL the milestone recording by maverick Katharina Wolpe (1991) 06/28/17 Rachmaninov #2 +1DDL set The Piano Concertos and Paganini Rhapsody by de la Salle & Luisi in Zurich (2015) 06/27/17 Strauss Great Operas #2 +1CD set Ariadne auf Naxos by Sawallisch in Salzburg (1982) 06/27/17 Christmas 2013 Stölzel Oratorio 1736: links updated 06/24/17 Rare Grooves +1LP Schumann & Grieg Concertos by Richter-Haaser & Moralt in Vienna (a transfer by Enrico B.) 06/24/17 Rare Grooves +1LP Tchaikovsky's 1st Piano C.to by Berman & Temirkanov, Berlin 1986 (a transfer by Enrico B.) 06/24/17 Rare Grooves +2LPs Tchaikovsky's 4th & 6th Symphonies by Abbado in Vienna in the 70s (transfers by Enrico B.) 06/21/17 Prokofiev #2 +1CD Flute Sonata (+Sancan's Sonatine & Schubert 'Trockne Blumen' Variations by Anson & Lilley 06/12/17 The Odd Couple #2 +1CD Chopin's Piano Concertos by Barenboim & Nelsons in Berlin (2010) 06/10/17 Rachmaninov #1 + 1CD Cello Sonata (+ Shostakovich's & Prokofiev's) by David Finckel & Wu Han (1999) 06/10/17 Wintery Romantics +1CD Dvorak's Cello Concerto by Ma & Maazel in Berlin (1986) 06/5/17 Strauss Great Operas #2 +1DVD Der Rosenkavalier by Karajan (1961, restored edition) (a rip by Corrado D.) 05/24/17 Rachmaninov #2 +1CD Concertos Nos. 3 & 4 by Lugansky & Shpiller in Moscow (1995) 05/21/17 Musique Française #3 +1CD Ravel's Miroirs etc. by André Laplante (1995) 05/17/17 Wintery Romantics Tchaikovsky's 1st Piano C.to by L. Berman & Temirkanov (1986) (a transfer by Enrico B.) 05/17/17 Summer Nights #11: Rossini Overtures by Chailly, Mehta, Maazel & Solti (a transfer by Enrico B.) 05/10/17 Opera Favourites #3: Verdi's 4 Pezzi Sacri by Riccardo Muti in Berlin (1982) 05/10/17 Gershwin +1CD Concerto in F + Bernstein's 2nd Symphony by Ingrid Jacoby in Moscow (2009) 05/06/17 Wintery Romantics +1CD Szymanowski's Violin Concertos by Thomas Zehetmair & Simon Rattle (1995) 05/03/17 Summer Nights #10 +1CD Elgar's 1st Symphony by Leonard Slatkin in London (1989) 05/03/17 Summer Nights #10 +1CD Elgar Part Songs & Vaughan Williams Mass by the Holst Singers of London (1991) 05/01/17 Debussy #1 +1CD Jeux & Images pour Orchestre by Armin Jordan in Genève (1988) 04/29/17 The long Goodbye +1CD Beethoven Op. 111, Schubert D. 946 & Berg Op. 1 by Katharina Wolpe (1990) 04/28/17 Sibelius Symphonies New links; added 4CD-set Blomstedt & San Francisco Symphony 04/27/17 Transcriptions #3: new links 04/26/17 Bohemian Composers: new links 04/26/17 The Odd Couple #1 +1CD Chopin's Mazurkas by Klara Min (2012) 04/26/17 The Odd Couple #1 +1CD  Chopin Selected Etudes, Préludes, Mazurkas, Nocturnes by Alan Kogosowski (1991) 04/26/18 The Odd Couple #1 +1CD Chopin's Piano Concertos by A.R. Luszczewski (1) & A. Mogilevsky (2) (1990) 04/10/17 Debussy #5 +1CD Préludes by Ivan Ilic (2006) 04/10/17 Spanish School #2 +1CD Lecuona's Piano Works by Clara Rodriguez (2003) 04/05/17 Bruckner +1CD Symphony No. 7 by Hans Vonk in Saint Louis (1997) 03/29/17 Debussy #4 +1CD Etudes by Gordon Fergus-Thompson (1990) 03/28/17 Summer Nights #5 +1CD Melodies Françaises (Berlioz, Ibert, Poulenc, Ropartz) by José van Dam (1988)  03/23/17 Brahms +1CD set Ein deutsches Requiem by Janos Ferencsik in Bratislava (1983) 03/22/17 Spanish School #1 +1CD Granados, Goyescas by Cristina Ortiz (1989) 03/17/17 Spanish School #1 +1DDL Granados, Goyescas by Daniel Del Pino (2009) 03/11/17 Debussy #4 +1DDL Etudes by José Eduardo Martins (2010) 03/1/17 Debussy #4 +1CD Etudes by Pascal Rogé (2009 recording) 02/23/17 Second Viennese School Ess.ls #3 +1CD Pierrot Lunaire by Salome Kammer & Hans Zender (a rip by John H.) 02/18/17 Schoenberg Piano Music +1DDL Complete set by Pina Napolitano (2012) 02/16/17 Debussy #4 +2CDs Etudes by Garrick Ohlsson, both the 1988 and the 2013 recordings 02/11/17 Prokofiev #1 +1CD 2nd Piano Concerto + Tchakovsky's 1st by Beatrice Rana & Antonio Pappano in Rome 02/1/17 Musique Française #3 +1CD Rameau & Royer's Pièces de clavecin by Jean Rondeau ('Vertigo') (2015) 01/28/17 Rare Grooves #2 +1LP Schubert's Symphonies Nos. 5 & 8 by Böhm in Vienna (1982) (a transfer by Enrico B.) 01/28/17 Rare Grooves #2 +1LP Haydn's Symphonies Nos. 29, 30, 31 by Dorati in Budapest (1975) (a transfer by Enrico B.) 01/21/17 Summer Nights #3 +1CD Mendelssohn's 3rd & 4th Sym. by Heras-Casado in Freiburg (2015) (a rip by Enrico B.) 01/21/17 Summer Nights #3 +1LP Mendelssohn's 1st & 2nd Sym. by Sawallisch in London (1967) (a transfer by Enrico B.) 01/19/17 Murray playing Bach Organ Works New links in the posting 01/18/17 Musique Française #2 +1DDL Respighi's Fountains & Pines of Rome, The Birds by Louis Lane in Atlanta (1985) 01/11/17 Debussy #3 +1DDL Jeux & Images pour Orchestre by Tilson Thomas in San Francisco (2014) 01/10/17 Musique Française #2 +1CD Saint-Saens' 1st Cello Concerto by Tortelier & Frémaux in Birmingham (1974) 01/03/17 Summer Nights #10 +1CD Elgar's Cello Concerto by Paul Tortelier & Charles Groves in London (1988) 12/29/16 Goodbye 2015 +1CD Monteverdi's Selva morale e spirituale by William Christie (1987) 12/26/16 Musique Française #3 +1CD set Berlioz's L'enfance du Christ by C. Davis in London (1976) (a rip by Enrico B.) 12/19/16 Wintery Romantics +1CD Tchaikovsky's 'Pathétique' Symphony by Giuseppe Sinopoli in London (1989) 12/16/16 Summer Nights #11 +1CD Gesualdo's Tenebrae responsories by the BBC Singers & Bo Holten (2004) 12/16/16 Summer Nights #10 +1CD set Byrd and Taverner: Masses, by David Willcocks in Cambridge (1963) 12/12/16 Schubert #1 +1CD Sonata D.894 & Impromptus D.899 by Daniel Levy in London (1997) 12/11/16 Summer Nights #9 +1CD Volkmann's Cello Concerto & Serenades by H. Karni & M. Pommer (Hamburg 1997) 12/9/16 Mozart: Nachtmusik Added missing track #9 (+New cue file and log) 12/5/16 Stravinsky #2 +1DVD Petrushka + Blacher's Paganini Variations by Zubin Mehta in Florence 1995 12/5/16 Opera Favourites #3 +1DVD Verdi: 4 Pezzi Sacri by Claudio Abbado in Stockholm 1998 (+ Debussy's Nocturnes) 12/3/16 Second Viennese School Ess.ls #4 +1CD Schoenberg's Pelleas + Variations Op. 31 by Zubin Mehta in Tel Aviv 12/3/16 In the Name of Music +1CD Orff's Carmina Burana by James Levine in Chicago (1984) (a rip by Cunctator) 11/29/16 Summer Nights #2 +1CD Korngold's Piano Music by Ingrid Jacoby (1998) 11/29/16 Wintery Romantics +1CD Grieg & Schumann, Piano Concertos by Ingrid Jacoby in London (2005) 11/21/16 Poulenc +1CD Motets, 7 Chansons, Mass, Figure humaine by the Grex Vocalis choral ensemble (1999) 11/18/16 Musique Française #1 +1 CD Ravel Tombeau, Fauré Masques & Pavane by the Orpheus Chamber Orch. (1995) 11/18/16 Musique Française #3 +1CD set Ravel's piano music by Jacques Rouvier (1974) 11/15/16 Prokofiev #1 +1CD Concertos Nos. 1 & 3 with Gary Graffman & George Szell in Cleveland (1966) 11/15/16 In the Name of Music +1CD Orff's Carmina Burana by Richard Hickox in London (1987) 11/14/16 American Classics +1CD Ives & Creston's Symphonies no. 2 by Neeme Neeme Järvi in Detroit (1995) 11/13/16 Shostakovich #2 +1CD Suites from 'The Gadfly' and 'Pirogov' film scores by José Serebrier (1987) 11/13/16 Shostakovich #1 +1CD Semyon Bychkov's 5th in Berlin (1986) now from original CD 11/11/16 The Odd Couple +1CD Mozart Concerto No. 13 + Beethoven's 'Eroica' by Barenboim in Versailles (1997) 11/11/16 The Odd Couple #2 +1CD Mozart's Requiem by Riccardo Muti in Berlin (1987) 11/8/16 Rachmaninov #2 +1DVD Rip Concerto no. 3 with Giorgia Tomassi in Tel Aviv (1992) 11/8/16 The Long Goodbye +1CD Mozart & Weber's Clarinet Quintets by Eduard Brunner & the Hagen Quartett (1987) 11/7/16 Summer Nights #1 +1CD Korngold & Schmidt Chamber Music with Piano Left Hand by Leon Fleisher (1993) 11/4/16 Mahler Lieder +1CD Fischer-Dieskau's Gesellen & Kindertoten + Wolf's Lieder in the 50s (a rip by Corrado D.) 11/4/16 Wintery Romantics +1CD Dvorak Cello Concerto & Tchaikovsky's Rococo' by Christine Walevska (1971) 11/3/16 Rare Grooves #2 +LP set Vivaldi's Il Cimento Op. 8 by I Musici and Felix Ayo (1959) (a transfer by Enrico B.) 11/1/16 Summer Nights #11 +1CD Chinese Ancient Classical Music by Xiaming (2001) 11/1/16 Debussy #4 +1CD Etudes, Images oubliées, Estampes, Suite Bergamasque by Roger Woodward (1997) 11/1/16 American Classics +1CD Copland's Piano Works (Blues, Sonata, Rodeo, Salon) by Eugenie Russo (1995) 11/1/16 American Classics +1CD Copland's Tender Land & Red Pony Suites by James Sedares in Phoenix (1991) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & The Firebird Suite by James DePreist in Portland (2000) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & Apollo by Jaap van Zweden in Hilversum (2006) 10/17/16 Mahler Lieder +1CD Wyn Morris 1966 Des Knaben Wunderhorn (J. Baker & G. Evans) (a rip by Leroy V) 10/12/16 Musique Française #2 +1CD Debussy, Ravel, Poulenc, Saint-Saens: Violin Sonatas by Kang & Devoyon (2003) 10/11/16 Darmstadt #4 +1CD Carter's Piano & Cello Sonatas + works by Del Tredici, Helps & Persichetti 10/11/16 Brahms Piano & Chamber Gems +1CD Clarinet & String Quintets by D. Shifrin and Chamber Music N-W 10/11/16 Darmstadt #3 +1CD Boulez's Structures for 2 Pianos by the Kontarsky Duo (1965) 10/8/16 Spanish School #2 +1CD set Albeniz's Iberia by Olivier Chauzu (2008) 10/4/16 Strauss #3 +1CD Oboe Concerto by Douglas Boyd & Paavo Berglund (1986) (+ Mozart's K. 314) 10/4/16 Strauss #3 +1CD set Heldenleben & Zarathustra with Zubin Mehta in L.A. (1968) (a rip by Dante B.) 10/3/16 Bartok #5 +1CD The wooden Prince & Hungarian Pictures by Neeme Jarvi in London (1990) 10/3/16 Bartok #5 +1CD The wooden Prince & Dance Suite by Ivan Fischer in Budapest (1996) 10/1/16 Haydn Quartets Op. 9 New links added for the original release from the 1990's. Disc scans and inside cover scans are included in the new scans link. Scroll to the bottom of the comments section for the new links. 9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish School #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish School #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish School #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish School #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch (a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD






Tribuna musical

September 3

“La Sylphide”, Gala Internacional y Ballet Ruso: buena danza, poca renovación

En estas recientes semanas hubo varios espectáculos de ballet de buen nivel aunque con altibajos. Dos tuvieron lugar en el Coliseo: la reposición del ballet romántico "La Sylphide" y la séptima edición de la Gala Internacional de Ballet de Buenos Aires. Y una en el Ópera (que ahora se llama Ópera Orbis), "Joyas del Ballet Ruso" con solistas de cuatro compañías de esa nacionalidad. "La Sylphide" Mi primera experiencia con "La Sylphide" fue en el Colón, cuando décadas atrás Pierre Lacotte logró una reconstrucción muy seria del original de Filippo Taglioni creado para su hija, la etérea Maria Taglioni, en 1832 para la Ópera de París; con música de Jean Schneitzhoeffer y libreto de Adolphe Nourrit sobre "Trilby" de Charles Nodier; Lacotte la estrenó en Enero 1972 en París, y años después en el Colón. Pero hay otra versión importante, basada en la de Taglioni aunque con el estilo muy personal de Auguste Bournonville, realizada para la Ópera Real de Copenhague en 1836, con música de Herman Lovenskjold. También Petipa (sobre Taglioni), Harald Lander y Erik Bruhn (ambos sobre Bournonville) dieron sus visiones de la historia. Según Paracelso, los silfos son criaturas del aire. En "Trilby", historia escocesa, es el genio del hogar, el diablo amoroso, pero feminizado: es la sílfide, que contempla a James, dormido, y lo besa; él se despierta reaccionando pero la imagen de ella se desvanece. Sin embargo, está planeado que se casará al día siguiente con Effie. Entran amigos y vecinos para saludar a los novios, pero también la bruja Magda, que quiere el calor de la chimenea para recuperarse del frío; James la echa, ella lo maldice y anuncia que Effie se casará con Gurn (enamorado de Effie). James se queda solo, la Sílfide reaparece, logra quedarse con el anillo nupcial e induce a James a seguirla al bosque; al volver Effie ésta llora ante la ausencia de su novio. Como en "Giselle" (que data de 1841) aunque al revés: aquí es la sílfide la que seduce a James. En los dos casos, típicos del ballet romántico, está el elemento sobrenatural: la sílfide y las willys. En el Segundo Acto, Magda da a James un chal asegurándole que poniéndolo sobre los hombros de la sílfide ella no podrá huir, pero cuando se lo coloca caen las alas de la sílfide y muere. Paralelamente Gurn convence a Effie que ha sido abandonada por James, le declara su amor y ella acepta. Tanto Schneitzhoeffer como Löwenskjold son músicos menores (ni siquiera aparecen en el diccionario Grove) pero gratos, y ambos se dejaron seducir por la influencia celta, bastante fuerte en esa época, dando así un carácter especial a las danzas, que dentro del lenguaje académico evocan pasos de los bailes populares escoceses. Y tanto Taglioni como Bournonville fueron creadores fundamentales del romanticismo coreográfico, buscando y obteniendo pasos alígeros, posturas expresivas, gusto refinado y gran elegancia. Fueron Taglioni padre e hija quienes inventaron el baile de punta como manera de delinear el sentido aéreo de la sílfide. Y el segundo acto es en buena parte el prototipo del "ballet blanc", luego tan imitado. Ambos coreógrafos me atraen, pero prefiero a Bournonville por ese estilo tan suyo de pasos pequeños y rápidos. He visto las dos coreografías en el pasado, pero ahora ya pasaron varios años sin que se repusiera en nuestra ciudad ni una ni otra, y por ende me alegré de verla en el Coliseo con el Ballet del Sur y la presencia de Ludmila Pagliero, la argentina que en recientes meses no sólo fue nombrada "étoile" del Ballet de la Ópera de París sino que fue laureada con el Premio Benois de la Danza. Fue valioso ver el trabajo de Pagliero (que aprecié en anteriores visitas) en este personaje de fantasía donde la danza debe dar una sensación sublimada de apenas tocar tierra. Ella bailó ambas coreografías y las conoce a fondo. Su lugar está bien ganado. Pero no sentí ese particular carisma que, por ejemplo, tenía Ghislaine Thesmar, y que creaba la ilusión de estar viendo a una aparición bailando. Pero hubo varios otros motivos para gustar de esta experiencia. El principal fue poder apreciar al Ballet del Sur, al que vi muy esporádicamente (rara vez nos visita y en mis dos únicas visitas a Bahía Blanca las fechas no me permitieron ver espectáculos por ellos). Ya tiene larga existencia puesto que nació en 1956, y pese a condiciones de trabajo bastante precarias tiene una experiencia acumulada que impresiona, con un vasto y variado repertorio y la presencia de coreógrafos y bailarines de notable nivel. La gestión actual está a cargo de Ricardo Alfonso desde 2010. Para "La Sylphide" obtuvo dos colaboradores franceses que demostraron ser de gran categoría: Bernard Courtot de Bouteiller, que demostró tener una formación de primer orden en su esmerada reposición del ballet de Bournonville (sin duda ayudado por el hecho de que el Ballet del Sur fue el primero en dar la versión Bournonville en Sudamérica); y Grégoire Lansier, un James atrayente y de fuerte personalidad tan dueño de su agilidad coreográfica como de las características de su personaje. Otro aspecto interesante fue la notable Magda de Gabriela Pirrone, una bruja convincente de gran plasticidad y garra. Completaron bien Carolina Basualdo (Effie), Manuel Martínez (Gurn) y Nataliya Gamon (madre de James). Pero además el Cuerpo de Baile respondió muy bien en dos tipos de danza muy contrastantes: los aldeanos y las damas en el Primer Acto, de natural evocación del folklore escocés, y las Sílfides en el segundo, danza pura y bella en impecables tutús. Resta mencionar una funcional escenografía de Gerardo Arias, una iluminación a veces algo parca, y una producción manejada con la experiencia asentada de Juan Lavanga. La música grabada sonó bien. VII Gala Internacional de Ballet de Buenos Aires El grupo Ars inició en 2011 las Galas Internacionales de Ballet en el Coliseo; su directorio tuvo a Liana Vinacur y Martín Boschet como figuras principales. Boschet había sido un polémico codirector del Colón en 2008, enfrentado con Sanguinetti (quien fue el que se negó, extrañamente, a usar al Coliseo como sala alternativa de la temporada de ópera, como sí lo hicieron Lombardero en 2007 y García Caffi en 2009); en el Colón pareció tener un solo interés, el Ballet, y Ars fue una manera de concretar un proyecto de danza. Ahora Boschet ha sido nombrado Director Ejecutivo en el Colón y es de desear que sus horizontes allí sean más amplios y se preocupe por las óperas y los conciertos además del Ballet. Vinacur ha quedado como Directora y Productora Ejecutiva, apoyada por un extenso staff. El lujoso programa de mano, con una tapa en la que posa desnuda Iana Salenko, del Staatsballett Berlin, lista 132 artistas en siete años procedentes de muy variadas compañías, incluyendo argentinas. La programación ha sido muy variada y combinó clásicos con modernos, ayudando así al espectador a "aggiornarse" con respecto a lo que pasa en el mundo. A través del tiempo dos artistas me impactaron especialmente: Daniil Simkin del American Ballet Theatre y Alicia Amatriain del Stuttgart Ballett. Con algún altibajo se vio mucho de bueno. A su vez el Colón rivalizó con su propia Gala, separada sólo por pocas semanas de la del Coliseo, y generalmente más restringida, ya que una parte importante era realizada por el Ballet del Colón; este año Paloma Herrera decidió eliminarla (Guerra la había programado) sin explicar qué pasa con esos contratos cancelados. Considero que la Gala Nº7 fue menos gratificante que las anteriores por dos razones: a) la recurrencia a rutinarios grandes clásicos; b) la dudosa calidad de algunas elecciones contemporáneas. Con respecto al primer punto, los menos transitados fueron los pas de deux de "Diana y Acteón" (Pugni-Petipa) y "Raymonda" (Glazunov-Pontus Lidberg) y en ambos la ballerina fue Isabella Boylston, del American Ballet Theatre, recientemente vista en el Colón en "Sylvia" de Delibes-Ashton. Es una figura muy profesional ("accomplished", dicen los americanos) con un enfoque bien pensado de sus roles aunque algo fría. Impresionó como Acteón Dmitry Zagrebin, del Ballet Real Sueco, un bailarín atlético y de amplio salto. Lidberg es un coreógrafo sueco que ha hecho un pas de deux donde el acento está puesto en la elegancia y la interrelación entre los bailarines en vez del virtuosismo vacuo; buena elección de Boylston, secundada con habilidad por el danés Alban Lendorf, también del ABT. El pas de deux de "El Lago de los cisnes" se vio en la desastrosa coreografía de Matthew Bourne sólo para hombres (habrá que cruzar los dedos para que nunca se dé entera aquí); es un símbolo de decadencia que se lo considere actualmente el más importante coreógrafo inglés y lo hayan hecho Sir. Por cierto, juzgar a Ivan Putrov (cisne con ridículas plumas) del Royal Ballet, por esta pieza, sería injusto, aunque sí por haberla elegido; sale menos perjudicado Liam Mower, de New Adventures. En el pas de deux de "El Corsario" (Adam-Petipa) hicieron buena tarea la argentina Daiana Ruiz y el español Martí Fernández Paixa, ambos del Stuttgart Ballet, si bien he visto saltos más aéreos por parte del bailarín (Bocca, p.ej.). El de "La Bayadera" (Minkus-Petipa) fue muy bien bailado por Yulia Stepanova y Denis Rodkin, ambos rusos y del Bolshoi; por lo que se vio, pese a los conflictos en ese famoso conjunto, la calidad y la tradición se mantienen. Por último, el del Cisne Negro (Tchaikovsky-Petipa), con los mismos bailarines, terminó brillantemente el programa. No está de más mencionar que el programa incluye foto y biografía de todos los bailarines y coreógrafos, muy útil. Mucho menos me gustaron los videítos con los cuales los artistas se presentan (innecesarios). En cuanto a las danzas (mejor palabra que ballets para describirlas) contemporáneas, oscilaron fuertemente en su atracción. Un extracto de "Crayon" (Christen Lien-Caterina Rago) fue la primera de dos obras de la Peridance Contemporary Dance Company (extraño apelativo, ¿porqué repetir "dance"?) del coreógrafo Igal Perry, israelí radicado en New York. Lo bailó Alexandre Barranco (único sin biografía en el programa). La pieza me resultó hermética y monótona. La segunda obra, del propio Perry, fue "Mirror" ("Espejo"), extracto de Dia-mono-logues (¿un monólogo de dos?), donde Barranco "dialogó" con Katherine Currier, bailarina de cuerpo rotundo poco afín al baile clásico pero adecuado para estos pasos contemporáneos, más llevaderos que "Crayon". Fue una grata sorpresa la combinación de la bailarina de formación clásica Brittany O´Connor con Paul Barris, campeón de ballroom dancing; con "Ding dong daddy", coreografía de Barris y música de Cherry Poppin´ Daddies, nos sentimos en el mundo nostálgico de "La la land" pero con mayor profesionalismo. Y luego, algo tomado del tour de Andrea Bocelli, en el cual participan: la célebre "Bésame mucho" de Consuelito Velázquez nos llevó al lado latinoamericano de la versátil pareja de bailarines. Me resultó aburrido y moroso el solo paradójico "Two", con mediocre música de Andy Cowton, luces deliberadamente exiguas de Michael Hulls, coreografía de Russell Maliphant, donde Putrov nuevamente me extrañó por sus malas elecciones. El italiano Fabio Adorisio estudió en la escuela Cranko entre 2011 y 2013 y actualmente es bailarín en el Ballet de Stuttgart y coreógrafo; su "Adagio ma non troppo" sobre música de Liszt y Beethoven me pareció inventivo y grato, muy bien bailado por Ruiz y Fernández Paixa. Y el trío "Les lutins" ("Los duendes"), sobre músicas bien conocidas de Wieniawski y Bazzini, notablemente bien tocadas en vivo por el violinista Luciano Casalino y el pianista Marcelo Ayub (todo el resto se escuchó grabado), reveló el fresco talento del coreógrafo danés Johan Kobborg, que fue Director del Royal Ballet entre 1999 y 2013. Su sentido del humor, conocimiento de la danza clásica (puso "La Sylphide" de Borunonville y la bailó) y habilidad para hacerla sutilmente contemporánea fue cabalmente traducida por los dos duendes masculinos (los notables Lendorf y Zagrebin) rondando en torno a la ingenuidad traviesa de Francesca Velicu, rumana de 20 años, del English National Ballet. En suma, con altibajos, una gala que permitió conocer a algunos bailarines y coreógrafos de valía. Joyas del Ballet Ruso El programa de mano de estas Joyas del Ballet Ruso fue paupérrimo: sólo un listado de las piezas e intérpretes sin biografías ni datos orientativos sobre los ballets elegidos, más un párrafo obvio sobre los valores del ballet ruso. Siete bailarines provenientes de dos compañías de San Petersburgo: Mariinsky y Mikhailovsky; y de dos de Moscú: Bolshoi y Stanislavsky, pero sin aclarar quién es de qué compañía. O si son primeros bailarines o de fila. Toda la música fue grabada y no hubo escenografías. A ello se añade que el repertorio fue muy rutinario; quizá sólo el Pas de deux de "Esmeralda" (Drigo-Burmeister/Kordiyaka) no es tan trillado. Para los que somos veteranos, el ballet de Alonso sobre "Carmen" de Bizet en el extraño arreglo de Shchedrin que añade piezas de "La Arlesiana" y que está orquestado para cuerdas y percusión está irremisiblemente ligado a Plisetskaya (Shechedrin fue su marido) que tuvo enorme éxito aquí y en el mundo con su poderosa y angular interpretación. Oxana Bondareva no acertó dramáticamente con la parte aunque se advirtió su indudable flexibilidad, y fueron más atinados Mikhail Venshchikov como Don José, Boris Zhurilov como el Toreador (aunque aquí se vio en esa ya lejana época en una interpretación más acerada) y Maksim Marinin como el Corregidor (¡no Corregido, como dice el programa!). Tatiana Tiliguzova, de negro, dio carácter a El Destino. Natalia Ledovskaya fue una atrayente Esmeralda (recordemos que el ballet es sobre "Notre Dame de Paris" de Victor Hugo) pero su partenaire, Mikhail Pukhov, resultó algo pesado en sus pasajes solistas. El Adagio del Primer Acto de "La Bella Durmiente" (Tchaikovsky-Petipa/Kordiyaka) no es un Pas de deux, ya que la Princesa es cortejada por cuatro caballeros, pero resulta un admirable fragmento que permite gran lucimiento a la bailarina. Aquí Bondareva estuvo mucho más cómoda y fue bien apoyada por los hombres (los tres de "Carmen" más Pukhov). Quizá lo mejor de la noche fue el Adagio del Segundo Acto de "El lago de los cisnes" (Tchaikovsky-Petipa) porque Tiliguzova tiene la silueta ideal para el rol y se mueve con singular gusto y dominio; además tuvo un muy buen "porteur" en Marinin. No hubo el mismo nivel en el otro Pas de deux, el de Odile del Tercer Acto, ya que si bien Bondareva estuvo bastante bien volvieron a sentirse limitaciones en Pukhov. Siguió una correcta versión de "La muerte del cisne" de Saint-Saëns-Folkin) por Ledovskaya (demasiados cisnes en el programa). Y finalmente el Pas de trois de "El corsario" (Adam-Petipa/Kordiyaka), mal anunciado como Pas de deux en el programa, donde tuvieron lucimiento Bondareva, Venshchikov y (creo) Zhurilov. Y luego un finale farandulero no anunciado con los siete y música banal. Me quedé intrigado por ese apellido Kordiyaka retocando varios clásicos. ¿No hubieran podido variar este menú fin del siglo XIX con materiales gratos del XX, como "La fuente de Bakhchisarai" o "El caballito jorobado", evitando estéticas contemporáneas pero saliendo de lo aquí tan remanido? Uno se satura de tantos "fouettés y "pirouettes" en el mismo programa. Nada indica quién fue director artístico en esta gira, o si lo hubo.Pablo Bardin

Tribuna musical

August 16

El debut del gran tenor Javier Camarena en el Colón

            No sólo Barenboim, Argerich y la WEDO ilustraron las últimas semanas  en el Colón: el 27 de Julio debutó el gran tenor mexicano Javier Camarena  acompañado por la Orquesta Filarmónica de Buenos Aires dirigida por Arturo Diemecke, un compatriota que entre 1984 y 1990 fue Director Artístico de la Ópera de Bellas artes de México. El trabajo de Diemecke aquí, como bien se sabe, ha sido esencialmente sinfónico, salvo "Werther", pero tiene experiencia operística y lo demostró acompañando con eficacia al tenor con una orquesta que no hace ópera pero que supo adaptarse.             También es bien conocido que el paso de Darío Lopérfido fue polémico, pero al lado de manifiestos errores tuvo algunas buenas ideas, y entre ellas sin duda está la de traer grandes cantantes a dar recitales, ya sea con piano (Jonas Kaufmann) o con orquesta (Diana Damrau y su marido Nicolas Testé, y ahora Camarena). Es un reconocimiento tácito en cuanto a que el Colón no está en condiciones de armar un gran reparto en ópera por esenciales fallas estructurales: ante todo, una Ley de Autarquía limitativa que impide contratar a varios años de distancia, y sólo así puede concretarse un reparto de grandes figuras. Y nadie mueve un dedo para cambiarla.  Pero también presupuestos que sólo se conocen poco tiempo antes de fin de año, cuando se supone que un director artístico para entonces debe tener todo listo para el año siguiente, y al menos previsto qué hará a dos y tres años de distancia. Además del triste hecho de los repentinos cambios que obligan a cortar un determinado porcentaje de lo ya contratado porque fallaron los cálculos de Hacienda, y de la lamentable práctica de los precontratos.             No tendremos la calidad de ópera que quisiéramos tener, pero al menos apreciamos a notables artistas en parte de su repertorio, ya que vienen por pocos días, ensayan, dan su concierto y se van, no deben quedarse casi un mes. Pueden tener un hueco disponible en sus agendas –a veces sacrificando parte de sus vacaciones- porque el edificio del Colón es prestigioso, pese a que sus temporadas no lo son, y porque se sabe que alguna vez hubo un Colón que podía competir con los mejores. Que su público es muy cálido y la acústica, sobresaliente.             Por eso vino Camarena y logró un éxito extraordinario; si bien está acostumbrado a tenerlos, no dudo de que se fue de aquí contento, porque pudo hacer el programa que él quería y en buenas condiciones. Sí, el Abono Verde es carísimo y puede discutirse si correspondían tales precios para Tiempo/Karabtchevsky, y  dudarse que una muy otoñal Jessye Norman los vaya a justificar, pero al menos en el caso de Camarena si el costo fue alto  el resultado también.             Se lo llama tenor lírico ligero y lo creo erróneo; no es del tipo vocal de Alva, Valletti o Schipa, sino del de Gianni Raimondi, Kraus y Gedda, artistas de amplia voz y registro que llega a los superagudos y que tienen coloratura. En la actualidad hay dos tenores con los que vale la pena compararlo: Juan Diego Flórez y John Osborn; al primero lo pudimos ver en plenitud años atrás gracias al Mozarteum; Osborn, admirable rossiniano, no ha venido. Camarena demostró que tiene gran dominio de la coloratura en este programa, pero me pregunto si en roles muy extensos como el tenor en la "Semiramide" de Rossini, con centenares de frases con coloratura, Camarena podría resolverlos.             Lo que hizo en este programa fue demostrar que su repertorio ya es grande y lo será aún más. Tras la Obertura de "Romeo y Julieta" de Gounod, sin su pasaje coral, se saltó al recitativo "L´amour" seguido del aria "Ah! Lève-toi, soleil", y muchas cosas quedaron claras: que el tenor tiene excelente francés; que su timbre es poderoso; que sabe expresar distintas emociones;  que su fraseo es muy musical; y que sus agudos son firmes y expansivos. La belleza de un timbre es quizá lo más discutible entre melómanos y personalmente el de Camarena no me parece estar entre los más atrayentes, pero tiene tantas cualidades compensatorias que la balanza queda muy inclinada hacia lo alto.             Tengo un cariño especial por la difícil aria "Je crois entendre encore" de "Les pêcheurs de perles" de Bizet, ya que cuando estuve en La Plata como Director General en 1992 convencí al Director Artístico Antonio Russo que valía la pena estrenar la versión en francés de esta atrayente ópera de Bizet, que sólo se escuchó una vez en el Colón y en italiano, allá por 1913; y tanto le gustó a Russo que años después la dio a conocer en Buenos Aires para Juventus Lyrica. El aria tiene un lirismo refinado y requiere de un dominio del canto en dos factores: el "fiato" (la respiración) para mantener la continuidad de largas líneas melódicas; y el "piano" (suave) en una tesitura que está siempre en el registro agudo. Camarena demostró tener estas cualidades, como las tenía Alain Vanzo, a quien escuché en su rol de Nadir en la Opéra-Comique décadas atrás.             Y entramos al bel canto. Tras una anodina interpretación de la Obertura de "Il Barbiere di Siviglia" de Rossini, "Sì, ritrovarla io giuro", de "La Cenerentola" (qué lástima que no fue la obertura de esa ópera la elegida), fue una rotunda demostración de los talentos de Camarena en este repertorio. Es una curiosa aria ya que tiene tres "tempi" (velocidades) y en escena se complementa con intercalaciones corales (aquí omitidas); el tenor supo articular el italiano de modo que se comprendiese cada sílaba, resolvió la coloratura admirablemente, demostró sentido del humor y coronó el aria con un espléndido agudo.             Y luego, en francés, el célebre "Ah! Mes amis" seguido de "Pour mon âme » que hizo famoso Pavarotti en su gran versión de "La Fille du Régiment" (Donizetti) con Sutherland. Sus tan peligrosos repetidos Do agudos fueron producidos por Camarena con toda libertad y supo dar dinamismo y gracia al fragmento como si estuviera actuando en escena.             Más Donizetti iniciando la Segunda Parte. Demostrando que no es un "lirico leggiero", cantó una expresiva y estilística versión de una escena de una ópera que todavía no cantó (y fue especialidad de Kraus, como pudimos comprobar para placer nuestro en 1972): de "Lucia di Lammermoor", "Tombe degli avi miei…Fra poco a me ricovero". Y luego, sí "leggiero", demostrando su versatilidad, "Povero Ernesto…Cercherò lontana terra", de "Don Pasquale", dando su exacto carácter a la tristeza de Ernesto que cree perder a Norina, en frases que uno siempre asocia a Schipa (la anunciada Obertura fue eliminada).              El grupo Verdi no empezó bien, porque la magnífica Obertura de "La Forza del destino" no fue adecuadamente calibrada por Diemecke, con tiempos muy retenidos en varios momentos y carencia de garra en otros (¡oh recuerdos de Mehta, Previtali y Mitropoulos!). Otra ópera que aún no hizo Camarena, "La Traviata", nos permitió escuchar una muy buena versión de "Lunge da lei…De´ miei bollenti spiriti", pero en el único error estético del programa elegido por el tenor, añadió la "cabaletta" del final del acto, "O rimorso" (no anunciada), que se escucha como 20 minutos después en la ópera y contradice por completo la tierna expresión del aria; ¿la habrá añadido para lucir nuevamente su poderoso agudo?             Y finalmente, por supuesto notable, "La donna è mobile" de "Rigoletto", aunque no tan perfecta como al menos yo esperaba.             Las ovaciones no terminaban más, pero al parecer tanto el tenor como Diemecke lo dieron por descontado, ya que hubo tres piezas extra, y en las tres se salió de la ópera para darnos canciones. No es esto lo que me molestó, sino los dulzones y similares arreglos de Dimitri Dudini. Era lógico empezar por algo mejicano, y María Grever tiene muy lindas canciones, pero "Alma mía" no me parece de las mejores; hubiera preferido "Muñequita linda". Además del dulce, Dudini puso fanfarrias en la célebre "Granada" de Agustín Lara, que tuvo una espectacular versión por parte de Camarena, demostrando tras todo un recital un "fiato" interminable y toda la potencia en los agudos. Para quedar bien con Argentina, "El día que me quieras", ese tango-canción de Gardel tan trillado y de la cual hubo tantas buenas versiones, pero no la de Dudini, que le quitó todo ritmo, y allí Camarena sólo cumplió.             Pero poco le hizo al total: fue una gran noche de canto. No está de más mencionar que Camarena habló al público varias veces con fácil comunicación. Pablo Bardin

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